There was a time when celebrity endorsements required a flawless veneer. Brands paid millions to align themselves with perfection, presenting consumers with an idealized, untouchable version of reality. But in the modern attention economy, perfection is boring. Today, the most valuable currency a brand can possess is a sense of humor—specifically, the willingness to laugh at oneself.
Consider the curious case of NBA superstar Kevin Durant and the skincare brand CeraVe. Durant is an undisputed legend of the court: an MVP, a champion, and an Olympic gold medalist. Yet, earlier this year, he willingly became the ‘new face of legs’ in a campaign that was born not from a sleek creative brief, but from a viral moment of public mockery.
The story begins in 2021, when a photo of Durant’s dry, unmoisturized ankles went viral on social media, sparking endless memes and playful ribbing from fans and fellow players alike. It was the kind of moment that public relations teams usually try to bury. Instead, CeraVe—working alongside agency partners—saw an opportunity to address a persistent, unspoken challenge in the skincare market: getting men to moisturize.
James Rowe, president of the branded entertainment studio Bolded at OBB, was working on a documentary with Durant when the idea struck. ‘The brief wrote itself,’ Rowe notes. ‘We started with this idea of, “What if CeraVe didn’t sponsor KD, but really just sponsored KD’s legs?”‘
What followed was a masterclass in native internet storytelling. Rather than launching with a loud, traditional television commercial, the campaign began with a whisper. Durant, who has long been famously active and candid on X (formerly Twitter), kicked things off by responding directly to the old memes. In a video that felt more like a late-night talk show segment than an advertisement, he read the internet’s comments aloud. ‘”Next time you take a matter into your own hands, make sure it’s lotion,”‘ Durant read, before deadpanning to the camera: ‘That’s actually pretty funny. I don’t have a reply to that.’
By refusing to hide from the joke, Durant became instantly relatable. But the brilliance of the campaign lay in how CeraVe structured the rollout. It was a strategy of ‘bread-crumbing’—leaving a trail of subtle clues for internet detectives to find. In the weeks leading up to the official launch, Durant was photographed by paparazzi with a tub of CeraVe casually tucked into his gym bag. It was a tactic CeraVe previously deployed to great effect during their Super Bowl campaign with actor Michael Cera.
Why does this approach work so well? Because it respects the consumer’s intelligence. In an era where we are bombarded by thousands of overt ads a day, we have developed a natural resistance to being sold to. When a brand invites us to participate in a joke, to connect the dots ourselves, we cease to be passive targets of marketing. We become participants in a cultural moment.
Esther Garcia, General Manager at CeraVe US, points out that the brand had historically underindexed among men. Skincare marketing targeted at men has often leaned into hyper-masculine tropes or clinical coldness. By focusing on a culturally resonant, humorous pain point—the dreaded ‘ashy ankle’—CeraVe bypassed the traditional barriers of entry for male consumers, particularly men of color, who instantly recognized the cultural shorthand.
The business results of this cultural alignment speak for themselves. While a double-digit sales lift is considered a major victory in the consumer goods space, CeraVe’s campaign drove an astonishing 43% sales lift. It also generated over 4 billion PR impressions and 83 million organic video views.
Ultimately, the success of the campaign highlights a deeper shift in how brands must communicate today. Authenticity cannot be manufactured in a boardroom; it must be found in the wild, lived experiences of the culture. By embracing vulnerability, leaning into the specific nuances of internet subcultures, and trusting their audience to get the joke, CeraVe didn’t just sell lotion. They proved that sometimes, the best way to clean up your image is to let it get a little dry first.